I’m super-excited to reveal the cover of my debut novel, Asleep from Day. Before we get to the main event, I want to share a little about what inspired this book:
Back in the ‘90s, I came across this human interest news story that stuck with me ever since. A guy met a woman on a bus in Boston, they chatted for a few minutes, and the woman left before he could get her number. The guy was so taken with her and eager to find her, he plastered fliers all over the city with details of their brief chat (which, at one point, mentioned Kevin Bacon—insert Six Degrees joke here). Remember, this was in the 1990’s, back before Missed Connections and social media. He didn’t have online tools to help him find the woman. The fliers got so much attention, news outlets picked up the story and the guy ended up on TV talking about his search for this woman. I don’t remember if he ever tracked her down, but I was fascinated by the lengths this man went to for a woman he met for only a few minutes. It was romantic, sure, but also a little crazy and strange.
Many years later, the seeds of that story took root and grew into something different as I found my premise: What if a girl met a guy and spent a seemingly perfect day with him, then got hit by a car the next day and completely forgot him? What if, as she started to remember, she wondered if those memories were real? What if she had strange dreams and surreal experiences that made her worry she might be making him up and question her sense of reality? Add a 1990’s Boston setting and Asleep from Day was born.
It had to be the ‘90s, because technology makes it easier to find people and back then, it was easier to lose track of someone. It had to be Boston because I lived there during my college years and wanted this book to be my love poem to that city.
In terms of genre, here’s the thing: I like stories that aren’t one thing. I get more excited when a book or movie or show has layers of different genres. And I got more excited about this story when adding layers to it; I wanted it to be realistic yet surreal, romantic but twisted, with darkness and uncertainty to balance out the sweetness. It’s not psychological suspense or romance or mystery, but it has elements of all of those.
For the cover of Asleep from Day, I was hoping for something dreamy and a little strange, but still beautiful. I love the final design Terry Montimore came up with:
About The Book
Astrid can’t remember the best day of her life: yesterday.
A traumatic car accident erases Astrid’s memories of September 9th, the day she spent with an oddly charming stranger named Theo. Ever since, she’s been haunted by surreal dreams and an urgent sense that she’s forgotten something important. One night, she gets a mysterious call from Oliver, who knows more about her than he should and claims he can help her remember. She accepts his help, even as she questions his motives and fights a strange attraction to him.
In order to find Theo and piece together that lost day in September, Astrid must navigate a maze of eccentric Boston nightlife, from the seedy corners of Chinatown to a drug-fueled Alice-in-Wonderland-themed party to a club where everyone dresses like the dead. In between headaches and nightmares, she struggles to differentiate between memory, fantasy, and reality, and starts to wonder if Theo really exists. Eventually, she’ll need to choose between continuing her search for him or following her growing feelings for Oliver. Astrid might go to extreme lengths to find what she’s lost . . . or might lose even more in her pursuit to remember (like her sanity).